Women Who Travel: 

Three Ways of Moving Through the World




Travel is never just logistics; it’s a mirror. For some of us, it reflects ritual and family lore, for others the freedom of a solo itinerary or the kinetic pulse of a fashion week city. We asked three women in our orbit how they go—what they pack, how they plan, the tiny rituals that make a room feel like theirs. The result is a field guide to presence: elegant, grounded, and deeply usable.




LUCA / October 10, 2025



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Jen Rosa

The Solo Strategist (and Partner in Crime)


“The eye has to travel.” 


Jen moves with intention. Formerly on the road 80% of the time, she learned from CEOs and makeup artists alike: roll, don’t fold; choose carry-on unless liquid treasures demand otherwise; uniform your palette (navy, black, gray) so every piece works. Her backbone is classic: Levi’s, a blue button-down, a navy or gray sweater, Manolo Carolynes for instant elevation, a ten-year-old Acne coat or JW trench, grandpa sandals (black socks, unapologetically), a Dries silk bandana, and always her LUCA black shirt—“it goes with everything.” Safety is a system, not a mood: her husband has the full itinerary; check-ins happen throughout the day; travel insurance is non-negotiable; never accept drinks from strangers; never solo at night; keep the battery up, the cash low, and the hotel door double-checked with Do Not Disturb engaged. Arrival ritual? Shower, sanitize, latte, then walk like there’s no tomorrow. She archives sensorially: matchbooks, coasters, a loaf of bread from Paris for the dinner table back home; Mexican vanilla and Rosetta guava jam; New York newspapers and an armful of magazines—long live print. She plans (reservations, structure) but leaves a window for serendipity. And when she travels with her husband—and their dog—the pace recalibrates: a budget, a plan, one night deliberately left open, and often a return to Il Pellicano where dolce far niente needs no itinerary beyond swim, aperitivo, pasta, rest.



Jen's LUCA Edit — Solo, Chic, Prepared







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Ana María Cintrón

The Family Traditionalist


“We will always have Buenos Aires.” 


For Ana María, travel is a generational thread—stitched through Recoleta porteros and media lunas, with museums and theater seats pressed with memory. There’s a ritual to the return: Rodi Bar, Museo de Alba, a play at Teatro Colón, a quick pass by Ramírez’s new collection, and that first espresso in the apartment that becomes “home” the minute the kitchen is stocked. As a stepmom and planner-in-chief alongside her research-obsessed husband, she’s built a system that keeps wonder intact: carry-ons for all (“mastering the art of packing is something I’m most proud of”), healthy snacks to outsmart delays, layers for shifting weather, noise-canceling headphones, and kid-friendly tablets that buy everyone an hour of peace. Priority check-ins and lounge access soften long connections; direct flights are a small miracle when they happen. Her definition of success is disarmingly simple: no one gets sick. After that, it’s equilibrium—museum mornings, park afternoons, a concert or a play, the pleasure of farm-to-table wherever they land. Camps for kids have become a surprise unlock: everyone gets their portion of joy. And when things wobble—as they did one evening in Venice, the operatic schedule ticking away—her son pointed to a humble sign: tickets sold here. “Marco saved Venice,” she laughs. “In chaos, pause and think.”



Ana Maria's LUCA Edit — Family, Light & Unfussy

  • Palma Tote — Hand-woven by women artisans in Oaxaca; feather-light with generous volume for snacks, headphones, and a paperback—without the “mom bag” look.
  • Uashmama Panino Storage Tray — A nightstand command center for wallet, keys, and snacks
  • Field Studies, travel-friendly — Our quiet signature for instant belonging. Opt for Solid Perfume Nº1 (pocketable balm) or the Layering Oil to keep your scent close and subtle on the go.








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Julliana Hernández

The Fashion-Week Correspondent


Helsinki’s quiet gravity. Copenhagen’s human scale. A notebook and a Muji pen. 


For the freelance fashion writer, Copenhagen is less hype, more human. It’s in our Puerto Rican homes already—the Royal Dansk tin that became abuela’s sewing kit; a line by Jens Risom at the Caribe Hilton; even Jamonilla Tulip in the pantry. The Danish ease—call it hygge—aligns with Julliana’s own minimalism. Style that reflects a lifestyle feels truer than performance.


Her kit flexes with each season, but the scaffolding is firm: confirmations weeks in advance; a planner on hand; braids to erase hair from the to-do list; MAC for long wear; a large bag (never under 16”) because stories—and snacks—need space. There’s a 7-Eleven almond-butter protein bar and mango chia pudding stashed between a small journal (two pens) and whatever she acquires en route. She posts at day’s end—experience first, documentation later. She moves between observer and participant, eyes open to micro-shifts (“boho’s return always begins off-runway”), and remembers the thrill of a candid conversation with Ganni’s Ditte Reffstrup, the kind of off-schedule moment that lands truer than a front row. Between shows she recenters with a Gasoline Grill burger and a city-specific playlist she’ll replay at home, collapsing time back into sound.



Julles' LUCA Edit — On-the-Ground, On-Deadline





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The LUCA CARRY-ON CHECKLIST

Under 10 pieces, endlessly recombinable—our house approach to travel packing.